Joint Interview with Autumn Tsai on The space in between, Die Hannoversche Gesellschaft für Neue Musik (HGNM) / TRAIECT, October 2020

对比与递归:溯源南音——音乐会式讲座成功举办, October 2019

Collision and Convergence: A Survey of Contemporary Studies on Chinese Music in the Global Perspective at the 22nd CHIME Meeting, September 2019

The new generation of fellows from 2020-2021 has been selected, Akademie Schloss Solitude, September 2019

Making Waves, Drama Waves, June 2019

Canal Trece, Para visibilizar a compositoras e intérpretes, llega el Festival Mujeres en la Música Nueva, June 2019

China Hands Magazine, 2019 25 Under 25: Leaders in US-China Relations, May 2019

Cincinnati CityBeat, “Salon 21’s ‘Parallels’ Premieres Five New Works by Women Composers”, January 2019

Rafael’s Music Notes, “Cincinnati’s Young Musical Entrepreneurs”, March 2018

Podcast guest on In two bags, September 2017:

Cincinnati Enquirer, “Two musical startups take root in Cincinnati”, April 2017
“an accomplished composer… influenced by the unique sounds of China”

Movers & Makers Cincinnati, What to do, hear, see | April 26 – May 2, April 2017

Feature in Cincinnati CityBeat, “Four New Concertos by Women Composers”, April 2017
“Walker is proud of Soundbox’s contribution to Cincinnati’s arts so far. “I felt there was a gap in the opportunities for Cincinnati composers to be heard,” she says. “We shop local and have local theater, and we’re proud of that, but there are also amazing composers here. At the same time, it’s hard to hear composers from outside Cincinnati. And we’ve been able to build relationships with young composers and performers from all over.”’

5 things to do in week 14… Stockholm edition, March 2017

Harvard University Department of Music Newsletter: “Harvard Music Department Hosts Second Annual Workshop on Chinese Contemporary Music”, March 2017

Cincinnati CityBeat highlights Cincinnati Soundbox and the New Concerto Project as 2017 top pick, January 2017

Profile on being named a 2018 Schwarzman Scholar, December 2016

Review of the premiere of For Summer Rain in Beijing, October 2015
“This work entirely embodies Eastern aesthetic characteristics, not only in terms of the instrument, but also in the consideration of the structural design of the composition.  For a student from the United States, she is already a challenging multicultural force.”

Interview with Contemporary Dance Theater, February 2015

Article on NANOWorks Opera by co-founder Jennifer Jolley featuring a video of Difficulty on Re-entry, April 2014

Review of the premiere of Night Music in Cincinnati, November 2012
“a soft, spare effusion”