A few photos from the premiere of My shadow forms a resonant shell with pianist Jill Jantzen and 4-Way Quartet last week in Cincinnati:
Colleen Phelps led a masterclass on and performance of cicada song in November with students in the Nashville Symphony’s Accelerando Initiative:
I recorded the impression remains late last week with Li Yi Fan (sheng 笙), Zhu Jiang Yang (yangqin 扬琴), and Alexander Colding Smith (conductor 指挥):
It was great to collaborate with everyone and for the piece — which we have been discussing since 2015 — to come full circle. Yi Fan and I had met in an elevator at China Conservatory one evening. She lamented that none of the composers she knew would write sheng pieces and asked if I were interested on the spot. We met for several demonstrations and kept in touch, but she left the exact instrumentation of the work up to me. (Perhaps I would have reconsidered my chosen instrumentation had I envisioned myself carting a toy piano around Beijing taxis for a year…).
Percussionists Allen Otte & Zhang Yongyun performed two recent works side-by-side on April 20th at Urban Artifact in Cincinnati – a premiere of a short prepared yangqin (扬琴) solo, Forms of falling dust, and a performance of 辜月 for Chinese drum (扁鼓) and voice.
Pipa player Xia YuYan and I presented a lecture recital today at Tsinghua University in Beijing. We discussed our collaborations over the past three years and the challenges of writing new music for Chinese instruments. YuYan performed two traditional pieces alongside my recent work, 空.