Blog

I finished a new graphic score for Colleen last month called cicada song; it is being premiered on Saturday in Texas at Sam Houston State University in a realization for six percussionists.

I had also written a trio back in August/September for sheng 笙, yangqin 扬琴, and toy piano 玩具钢琴 called the impression remains. I had a great rehearsal with Zhu Jiang Yang, Li Yi Fan, and Li Yun this morning in Beijing; we are making a recording of the piece next week.

I head to Canada on July 8th and will be at Banff for the month to workshop a new piece during EQ: Evolution of the String Quartet. (Banff must surely be the opposite of Beijing…?)

 

Chinese composer Gao Weijie 高为杰 turned 80 this year. It’s hard to imagine having come to China without his keen insights and encouragement along the way. Gao Ping 高平 had organized a festschrift in his honor in the fall and asked me to contribute a chapter; the book was published last week by Southwest China Normal University Press (西南师范大学出版社).

This photo accompanies the article — it was taken at his birthday party in Spring 2015, a few months after I first came to Beijing.

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智者、严师、乐人、挚友：高为杰80寿辰庆贺纪念雅集 | “Sage, Strict Teacher, Musician, Friend: Gao Weijie’s 80th Birthday Celebration Anniversary Collection” 

Reverberations (2015) was a winner of the Victoria Composers Collective/Oak Bay New Music Festival’s Call for Scores and will be performed in Victoria, British Columbia tonight.

Xia YuYan 夏雨言 performed my recent pipa solo 空 in Lisbon last week at 21st CHIME (European Foundation for Chinese Music) Conference – Chinese Music as Cross Culture. Below is the poster and a picture of her performing with our friend Jiang Shaofeng 姜少峰 as part of their pipa and tap dance collaboration.