Chinese composer Gao Weijie 高为杰 turned 80 this year. It’s hard to imagine having come to China without his keen insights and encouragement along the way. Gao Ping 高平 had organized a festschrift in his honor in the fall and asked me to contribute a chapter; the book was published last week by Southwest China Normal University Press (西南师范大学出版社).
This photo accompanies the article — it was taken at his birthday party in Spring 2015, a few months after I first came to Beijing.
智者、严师、乐人、挚友：高为杰80寿辰庆贺纪念雅集 | “Sage, Strict Teacher, Musician, Friend: Gao Weijie’s 80th Birthday Celebration Anniversary Collection”
Reverberations (2015) was a winner of the Victoria Composers Collective/Oak Bay New Music Festival’s Call for Scores and will be performed in Victoria, British Columbia tonight.
VIVE! Ensemble, conductor Maria Mercedes Diaz Garcia, and percussionist Allen Otte are doing a tour of Cincinnati, Nashville, and Texas with a new chamber version of my On a paper nautilus. Mercedes gave an interview about the concert over on the CSB site here.
Xia YuYan 夏雨言 performed my recent pipa solo 空 in Lisbon last week at 21st CHIME (European Foundation for Chinese Music) Conference – Chinese Music as Cross Culture. Below is the poster and a picture of her performing with our friend Jiang Shaofeng 姜少峰 as part of their pipa and tap dance collaboration.
Xia YuYan and I presented a guest lecture recital yesterday at Shandong University. The audience was receptive and there was an interesting discussion after. Thanks to Professor Daniel Bell’s invitation and for Professor Wang Pei of Tsinghua University for her commentary on Chinese Philosophy following the performance.
I am off to Qingdao tomorrow morning to present a guest lecture recital with Xia YuYan regarding our three years of collaboration and the influence of philosophy my compositional work. She will perform two traditional pieces and my latest pipa piece for her, 空 (2018).